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Arrival (2016) On'Line.HD

 
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MessagePosté le: Mer 18 Jan - 03:52 (2017)    Sujet du message: Arrival (2016) On'Line.HD Répondre en citant

Arrival (2016) On'Line.HD

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Sinopsis :Taking place after alien crafts land around the world, an expert linguist is recruited by the military to determine whether they come in peace or are a threat.
Cast: Amy Adams, Jeremy Renner, Forest Whitaker, Michael Stuhlbarg, Tzi Ma, Mark O'Brien, Russell Yuen, Nathaly Thibault, Joe Cobden, Julia Scarlett Dan, Philippe Hartmann, Andrew Shaver, Bineyam Girma, Shawn Campbell, Larry Day, Julian Casey, Pat Kiely, Mustafa Haidari, Abigail Pniowsky, Carmela Nozza Guizzo, Anana Rydvald, Jadyn Malone, Ruth Chiang, Leisa Reid, Brittany Teo, Chistian Jadah, Genevieve Sirois, Tammie Sutherland, Daniel Esteban, Kathleen Stavert, Hal Roberts, Leslie Baker, Michael Nangreaves, Karen Belfo, Chloë Bellande, Robert D. Morais, Laurean Adrian Parau
Genre: Drama, Science Fiction
Production:21 Laps Entertainment, FilmNation Entertainment, Lava Bear Films
Keyword :spacecraft, alien, based on short story, alien language, linguist, female lead, first contact, communication

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There was so much going against it, mainly that there was not much to it. For a very long time, there was no ticking clock. No tension. No threat.

I went in trying to pay attention because of the mixed reviews and that many said they were confused. I generally wasn't confused although it tried very hard to be such. The "loose" chronology was apparently verified by experts, but was sometimes hard to swallow.

The opening was effective on trying establish sympathy for Amy Adams character. But it took me out of such when she didn't age, although the daughter's life probably covered 15 years at least. Then, of course, we find out that the birth of the daughter had not happened.

Although I enjoyed Adams performance, it really turned out there was nothing to the character. The supposed sympathy card about the daughter was the cheat and it had never happened. Sure, she was a brave scientist, but not much else.

I also found it jarring that the arrival and lead up to the meeting of the aliens was slow and methodical but then once they met them, we quickly cut to the post-op of that meeting. The tension and anxiety was evident but then the twisting of gravity (because the ship was tall and thin) was just a device and not really interesting.

And there was not much to the rest of the film, where most of the tension (albiet manufactured) of the piece exists. The soldiers get paranoid. The Chinese get paranoid. Although probably plausible in the real world, I just had a tough time with it in the context of a film.

But the concept was very interesting. Shades of Slaughterhouse 5. I had also seen another very interesting time movie called "Predestination," but had a serious paradox. The paradox questions came up with Arrival. Why was she having dreams about a daughter that she never had? Why was she having visions of a meeting with the Chinese general she never had? But I bought it.

But it dropped the ball on what "gift" the aliens supposedly gave Earth. And was the daughter what would save the aliens in the future?
"The Arrival", directed by Denis Villeneuve and starring Amy Adams, is certainly one of the best films of the year and one of the finest films ever made about the events surrounding first contact with extra-terrestrials. First, Ill state the obvious. As with any Villeneuve film, the photography, score and performances were spot-on. I think this movie accurately depicts how different world powers would approach this situation and executes that perfectly. Amy Adams is more than deserving of an Oscar for her performance and I can honestly say that after viewing this movie only once, I already want to see it again. This film explores several concepts including, the power of language and communication, the theory of time and what it means to leave behind a carbon footprint on this Earth. I can safely say that this is Mr. Villeneuve's finest work yet and one of my all time favorites. This movie is a timeless masterpiece that will resonate with it's audience and have you thinking for a while after.
Director Denis Villeneuve has been making something of a name for himself recently for mastering gritty, intense and suspenseful thrillers (see Prisoners and Sicario for example). It was intriguing, therefore, to discover that he has branched out into Sci-Fi here with Arrival, in which 12 alien spacecraft descend on Earth and station themselves at random locations across the globe. True to form, however, Villeneuve delivers one of the most intelligent, creative and insightful Sci-Fi movies of recent times.

In Arrival, a language expert, Dr Louise Banks (Amy Adams) must analyse and decipher what the aliens are saying. As she spends more time with the aliens, she is haunted by the memories of what happened to her daughter, Hannah, which is revealed in a heartbreaking opening sequence accompanied by Banks' narration as she explains that "there are days that define your story beyond your life".

This notion of the predetermined, as well as the recurrence of Hannah, becomes a metaphor for one of the key questions of this story; would you do anything to change your life when you know what is going to happen? Villeneuve manages to enhance this notion further with superb use of imagery. The spacecrafts are colossal, frightening, looming structures that hover above the ground yet are almost featureless beyond their unusual lens-like shape. The aliens are huge; so big in fact that we only ever see their bottom halves. Both designs serve as a reminder that there is a much bigger force at play affecting our lives. Meanwhile, Villeneuve creates an element of mystery behind these shapes and designs; what is inside these strange, hovering objects? What do the aliens look like in their entirety? In providing the audience with visual reminders of the unknown, Villeneuve also manages to imply that whilst our stories may be 'defined', we don't necessarily know how or why.

If there is one flaw with Arrival, it is a minor one in that as it reaches its conclusion, we discover the real reason why the aliens have come to Earth. Whilst the build up to this point is intelligently and exquisitely formulated, the basis of their purpose feels surprisingly weak and short-sighted. Ironically, despite the film being so adept at developing the theme of life being already defined, it perhaps needed to be another 10 minutes or so longer so that the audience could obtain some degree of closure on the impact of the aliens' invasion.

Otherwise, Arrival is a majestic, beautifully created piece of cinema that is steeped in melancholy and flows with a real elegance. There are plenty of comparisons to be made to this, including Interstellar and Inception (the spacecraft tunnel scenes are very much reminiscent of the latter), and also Gareth Edwards' Monsters. However, Arrival feels that bit more taut, succinct and complete, almost effortless in its delivery and more profound with its message.

For the full review and other movie reviews, please visit: https://www.facebook.com/JMCReelReviews/

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